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PLEASE NOTE THIS ITEM IS SHIPPED FROM OUR CAPE TOWN BRANCH
THIS INCREDIBLE CLAUDE MONET'S "THE LUNCHEON" PRINT IS FRAMED IN A BEAUTIFUL COMPLIMENTARY FRAME AND IS FRAMED BEHIND GLASS. CLAUDE MONET PAINTED THE LUNCHEON, MONET'S GARDEN AT ARGENTEUIL IN 1873. THIS FANTASTIC PRINT MEASURES 740mm WIDE x 650mm HIGH. THE PRINT IS IN GREAT CONDITION AND THE FRAME HAS MINOR SCUFFS, BUT NOTHING A LITTLE TLC CAN'T SORT OUT. PLEASE VIEW THE PICS CAREFULLY TO FULLY APPRECIATE THE TRULY STUNNING PRINT OF ONE OF THE WORLDS GREATEST ARTISTS AND TO CONFIRM THE CONDITION.
FROM THE INTERNET: "Claude Monet painted The Luncheon, Monet's Garden at Argenteuil in 1873. The Luncheon presents the comfortable informality of Monet's life in Argenteuil during the months of high summer. With the meal concluded, Camille takes a visitor on a stroll through the garden while Jean plays with his blocks in the shadow cast by the table. Monet re-creates the most pleasant sensations of a sunny afternoon -- the vivid flowers, the cool patches of shade, the breezy fabrics of summer gowns -- with lightly applied dabs of colour."
Oscar-Claude Monet (November 1840 – 5 December 1926) was a founder of French Impressionist painting, and the most consistent and prolific practitioner of the movement's philosophy of expressing one's perceptions before nature, especially as applied to plein-air landscape painting. The term "Impressionism" is derived from the title of his painting Impression, soleil levant (Impression, Sunrise), which was exhibited in 1874 in the first of the independent exhibitions mounted by Monet and his associates as an alternative to the Salon de Paris. Monet's ambition of documenting the French countryside led him to adopt a method of painting the same scene many times in order to capture the changing of light and the passing of the seasons. From 1883 Monet lived in Giverny, where he purchased a house and property, and began a vast landscaping project which included lily ponds that would become the subjects of his best-known works. In 1899 he began painting the water lilies, first in vertical views with a Japanese bridge as a central feature, and later in the series of large-scale paintings that was to occupy him continuously for the next 20 years of his life.
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