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VERIFIED SELLER; 100% POSITIVE RATINGS : BUY WITH PEACE OF MIND
AN OPPORTUNITY TO OWN A MUSEUM PIECE
A FACETED COBALT BLUE, EMERALD GREEN & TRANSPARENT EXBOR VASE, DESIGNED BY PAVEL HLAVA (1924-2003) FOR
EXBOR IN 1957/58 : A RARE OPPORTUNITY TO OWN A HIGHLY SOUGHT AFTER LUXURIOUS PIECE OF GLASS
Made by Borské sklo, Nový Bor glassworks for Exbor. An Exbor prism vase with cut and polished facets, the cobalt blue core encased in colourless and emerald green glass. Hlava produced the first designs of this type for exhibition at the 11th Triennale in Milan in 1957. From the 1960s onwards, the range was produced for sale.
Hlava had gained experience in hotworking techniques at the Chribská glassworks in 1955, and may also have been influenced by designs from Murano at the time. However, the cut facets set Hlava’s designs apart from these. The monumental form and coloured internal design make this as much a sculpture as a functional vase.
A rare and highly sought after collector’s item.
>> please scroll down for images, description and postage <<
DIMENSIONS
- Height : 216 mm
- Weight : 980 g
- Vintage glass with surface scratches and indications of wear at the bottom : with Exbor stamp on its base!
LITERATURE- Hill, Mark. Hi Sklo Lo Sklo: Post War Czech Glass Design from Masterpiece to Mass-produced, 2008, i.a page 114.
- Petrová 1995, p 15
- Raban, J. 1963. Modern Bohemian Art Glass, p 94, Figure 151
LOGISTICS
* Shipping costs are R100 via Postnet.
* Collection in person (Cape Town) may also be arranged.
* The item will be packed to withstand an earthquake!
* Discover the dazzling, magical world of 20th century sculptural Murano & Czech art glass!
* Simply click on 'Bookfinder' (on the top right of this screen) to see more than a hundred rare & very beautiful items for sale.
* Please note that glass from the mid-20th century is vintage glassware and age related signs of wear such as small fine surface scratches/marks should be expected. The items are hand-made, they may have imperfections such as bubbles, inclusions and lumps within the glass. Tool marks from where they have been shaped and worked in the manufacturing process can often be seen. As this indicates authenticity and forms an inherent part of the character of handmade crystal glass, these are normally not considered as faults by collectors.